“Dazed & Confused” is similarly very experimental with Page extending the soft transition into “Woodstock”. But on this night the improv comes together very well with Page in a very abstract mood. Sometimes, like “No Quarter” in the preceding show in Seattle, really goes nowhere. Both “Over The Hills And Far Away” and “The Song Remains The Same” teeter on the brink of disaster, but both “No Quarter” and “Dazed & Confused” were truly places for on-stage experimentation by the band. There are some rough spots in the beginning. This release has caused many to pay more attention to this show and give a re-evaluation as one of the best nights on the tour with particular attention upon the developing epics. ![]() ![]() One of the functions of the bass is to elicit a visceral reaction to the music and this soundboard is an excellent example of that effect. John Paul Jones’ bass is higher in the mix compared to the other 75 boards, but not overwhelming nor distorted but provides great counterpoint to Page and Bonham making this a fascinating listen. It has wide separation with a great balance between instruments and ambient audience noise. It’s an extremely enjoyable and dynamic sounding recording one of the best to surface from the 1975 tour. Rocky Mountain Hop contains the soundboard reocrding of Led Zeppelin’s March 19th, 1975 Vancouver show which first surfaced on Snow Jobs (Empress Valley EVSD-403/404/405/406/407). ![]() Woodstock), Stairway To Heaven, Whole Lotta Love (The Crunge), Black Dog PNC, Vancouver, BC, Canada – March 19th, 1975ĭisc 1 (56:25): Rock and Roll, Sick Again, Over The Hills And Far Away, In My Time Of Dying, The Song Remains The Same, The Rain Song, Kashmirĭisc 2 (57:44): No Quarter, Trampled Underfoot, Moby Dickĭisc 3 (67:58): Dazed And Confused (incl. Rocky Mountain Hop (Godfather Records GR540/541/542)
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